By Our Selves documents a four-day walk made by the English Poet John Clare. Toby Jones, Iain Sinclair and a Straw Bear follow in his footsteps exactly 150 years after his death. En route they bump into Macgillivray, Dr Simon Kovesi and the wizard Alan Moore. Meantime the journey is narrated by Toby’s father Freddie, a maverick actor who featured in numerous David Lynch films.John Clare’s escape from Epping Forest; an epic march through hunger and madness, is an English journey to set beside ‘A Pilgrim’s Progress’. Andrew Kötting, hyperkinetic camper-van captain of Gallivant, sets out in hot pursuit, dressed as a Straw Bear. Father and son, Freddie and Toby Jones, are possessed by the spirit of Clare, and locked in Beckettian embrace: one all-voice and one all-mute.The writer Iain Sinclair watches from the shadows, Alan Moore waits like a bearded figure of fate, in Northampton and Dr Simon Kovesi hands out the medicine. Captured in lustrous black and white photography, they discover the only truth of the road; whatever our hopes and delusions, we are always by ourselves. The film is inspired by Iain Sinclair’s Edge of the Orison and John Clare’s Journey out of Essex.
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这部电影通过多个视角展现了香港黄金时代的社会风貌和人性，具有极高的观赏价值。
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粗略地谈几句个人的初步感想。比起一般的青春电影，本片追求一种更轻快的节奏，没有刻意为之的煽情和拖沓。它设立了梦想的议题，让梦想与现实产生冲突，这是很多青春爱情电影的共同内容，它的细节与深度并非个中翘楚。然而，它的重点却是对梦想实现度的淡化，以此突出梦想共鸣引发的爱情。这是它的一个特点，决定了全片的质感与氛围。而在执行环节，二人的象征意义、关系定性，以及延续性的要素，也都展现出了完整的推进过程与阶段递增。比起很多青春题材电影，本作的节奏更加明快，哪怕是摩擦最严重的阶段
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作者|jin“这届家长不好带。”看到《小欢喜》中陶虹饰演的宋倩，与女儿英子（李庚希 饰）陷入冷战，弹幕中有不少这样的声音。而宋倩不严管英子后，英子成绩下滑，弹幕中又出现了“跟自己女儿闹别扭，可不是会成绩下滑嘛”的声音。终于，代表家长的一方沉默不下去了，“管得太严要说不管也要说，这么难伺候”。可以说，从《小欢喜》的弹幕里，能明显看出代表两个阵营的声音。而这部剧中对成年人与孩子的相处，以及不同教育方式的研究也是极为透彻的。淡化阶层概念突出亲子相处和教育方式《小欢喜
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等待分，为啥那么多人说bug这么多，乱洗白也能分？我就想问年拍的，年放出来的剧，这个天马行空的想法还有哪部剧？当然可能有，但是小时候看过的并且最具影响的就是魔幻手机，它就像是年周董的jay的划时代意义，永远不要用现在人的思想和眼界去看当时的人。这个世界不缺乏从-的人但是永远缺-的人！
